Watercolor Painting Test – The Stoop

Watercolor-Painting-Stoop-Illustration-Michelle-Kondrich

 

My new Winsor & Newton watercolor set arrived yesterday and I couldn’t wait to start playing around with it. Keep in mind, I’ve never really worked with watercolors before.

I learned a lot just from this quick little drawing. I laid the paint down prior to doing the inking due to my complete lack of confidence in the waterproof qualities of my ink and next time I will be shooting for a much more dynamic line. I think fewer colors and less saturation will be the way to go. It’s easy to give everything the same value at first so I want to keep the heavy saturation to the more important parts of the image.

I would also like to try combining black ink washes with color – maybe a mostly black and white image with a few hints of color.

Anyone have any tips for me based on this?

The House Fire, New Ink Wash Painting

House-Fire-Ink-Wash-Painting-Michelle-Kondrich

More ink wash painting this week. This time I decided to avoid linework and shoot for something more sketchy and loose. It’s a difficult for me to do because I tend to overwork things. This was really fun to see come to life in slow layers of grey and I think it was quite effective for the flames of the house fire.

My watercolors should be here Monday and then some color should start popping up.

Drawing Experiments

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Over the last 6 months or so I’ve been struggling to find an illustration technique that feels more natural for me. Drawing has always been my favorite part but the process of coloring with Photoshop is something I have to work very hard to get right.

I’ve been a fan of dip pens for a long time, but lately I’ve had some trouble with them on Bristol. Maybe I have cheap ink and maybe I need better paper, but I just wasn’t getting the results I was looking for. After looking at Dan Berry’s work, I decided to try my dip pen on some watercolor paper and above are the results. Clearly my ink is either not as waterproof as it claims to be or I didn’t wait long enough for it to be fully dry, but I was so excited about the results. It was so much more fun!

I need to practice a lot more with ink wash and I need to use some higher quality brushes, but I really feel like I’m on to something. I’ve also ordered a small Winsor & Newton watercolor pocket set so I can slowly start incorporating light color washes into the work.

I’m pumped to try bigger and more involved illustrations this way!

Cheers!

How to Do All Those Things You’ve Been Planning to Do

This post should probably be titled “Do As I Say, Not As I Do.” I’m writing it as much for my own benefit as for yours.

It’s also going to be a bit of tough love – for both of us.

If you’re anything like me, and probably the majority of artists, you have a long list of projects you want to get to at some point. Many of us have another list of things titled “Someday” or “To Try.” I know I do.

We’re artists. We’re hard-wired to want to master every technique and keep too many plates spinning at once.

It’s not a bad thing. It’s what moves us forward and keeps us excited.

And I’ve figured out how to get to all of those things I’ve been meaning to try.

Quit planning it and JUST DO IT.

Stop letting other things get in your way. There are a million excuses to be made for why you can’t get to something yet, and some of them are most definitely valid, but if it’s really important to you you will find a way.

It’s like dating. If someone says, “I just don’t have time for a real relationship right now,” it means, “I don’t have time for a relationship with you.” If they were serious about wanting to date you, they would make the time.

The same goes for artistic pursuits.

As I mentioned above, I need this advice as much as anyone. And it’s advice that my friends and even my husband have given me in the past. Now I’m finally ready to act on it.

Sorry if that was harsh. You (I) needed to hear it.

 

 

Business Superheroes & Villains for Imaginibbles

These are some custom business related superheroes and villains that I created for Imaginibbles. They are being used in their new book Think Sideways. The book is currently available online at a special rate until the book is published in print. Tamara and Kelly were amazing to work for and these were certainly fun illustrations to play with.

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Hero-Magnetic-Collaborate-Illustration-Kondrich    Villain-Action-Ice-Idea-Illustration-Kondrich

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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New Sketching Rules

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Most of us feel like we don’t sketch or draw enough, but making a goal to “draw more” is completely unachievable. When do you know you have reached “more?” It puts too much pressure on you without giving you a solid goal to work towards.

I often feel like I need to “draw more.” I’ve never been a big doodler and often my own self-consciousness gets in the way of my sketching.

So, I’ve made a new rule for myself to assist in “drawing more” and to force myself to get past this strange self-consciousness about drawings that I don’t have to show anyone, ever. This is the rule:

If you are feeling bored, you must grab some paper and draw until you’re not bored anymore.

I want to be the kind of person who draws at every free moment. I’m not right now so, at the very least, I can get rid of any excuse to be bored and get more drawing time in.

I’ve made one other drawing rule:

You will NOT purchase fancy, expensive sketchbooks ever again.

With the exception of the Moleskine that I happen to have with me today, this rule is designed to help me get over any hesitance in my sketching. Buying an expensive Moleskine or other fancy sketchbook with thick paper and a nice hard cover only serves to make your sketching seem more precious. Sketching should never be precious!

Your sketchbook should be something that you carry everywhere with you. Something that gets beat up and abused from being carried around everywhere. The pages should be a mess. This is the goal for me, at least.

I’ve always had a passion for drawing but not really a passion for sketching and doodling. It’s time that fire was ignited for my own enjoyment and for the improvement of my illustration.

What does your sketchbook look like?

‘Eustace Tilley, Barista’ Chosen as a Winner of The New Yorker Contest!

Eustace-Tilley-Barista-New-Yorker-Michelle-Kondrich

A few weeks ago I posted this illustration for The New Yorker’s 2012 Eustace Tilley Book-Bag Contest. In mid-January I learned that I was chosen as 1 of the 12 winners! My work won’t be on a Strand bag, but it is currently up on The New Yorker’s site and you can read their blog post about the winners here.

Hourly Comic Day

Here are my comics from yesterday which was Hourly Comic Day. I didn’t exactly hit every single hour I was awake, but it was a fun challenge.

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hourly-comic-michelle-kondrich

The Great Escape

escape-chicken-bicycle-cityscape-illustration

This is a piece I’ve been working on for a couple of weeks. My first intent was to create an illustration with a bicycle since I’ve never really drawn one before. I also wanted to create a very dramatic composition with equally dramatic lighting. Getting the right amount of color and contrast is something I have to work very hard at, so it’s nice to see those skills improving.

I may use this as a promotional piece at some point but I’m contemplating options other than just postcards.

This piece is available as a print from Society6.

Sylvester and the Magic Pebble by Michelle Kondrich – age 7

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magic-pebble-story-child-michelle-kondrich

On a recent trip to my parents’ house I discovered this illustrated short story that I wrote in the third grade. I don’t have a lot of old examples of things like this that I created as a child so I was excited to find it. I also found an in-class journal from the same year that is quite amusing.

It’s a very convenient story and I make the mistake of switching tenses halfway through, but I sure wrapped it up neatly at the end! I’m not entirely sure who is who in the illustration other than Poochie, who I am assuming is the poodle.

I’ll post some of the journal pages at some point. I didn’t remember being so sure that I wanted to be an artist, but the journal proves otherwise.

What kind of drawings and/or stories did you create as a child?